Kamis, 26 September 2013

[V479.Ebook] Download PDF Ghost Story by Jim Butcher Unabridged MP3 CD Audiobook (Dresden Files), by Jim Butcher

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Ghost Story by Jim Butcher Unabridged MP3 CD Audiobook (Dresden Files), by Jim Butcher

  • Sales Rank: #7008118 in Books
  • Published on: 2011
  • Format: Audiobook
  • Binding: MP3 CD

Most helpful customer reviews

167 of 178 people found the following review helpful.
odd duck in the series
By Erin Satie
Jim Butcher is one of those authors I count on. Usually his books are like the reading equivalent of a weekend at a five-star hotel with a personal chef and a cabana boy. GHOST STORY was was more like a weekend at a four-star hotel with a nice dinner out. Not bad - not even close to it - just not the same superlative wonderfulness that Butcher usually delivers.

In GHOST STORY, Harry is forced into a passive role. The title is literal: he's a ghost. He can't do much of anything. He has to stand by and let other people act, or, if he's lucky, persuade them to act according to his instructions. In terms of Harry's character development and moving the series forward, I think this is exactly what Harry needs. For example: there's a sideplot with a gang of kids who are ordered to do a drive by shooting on Murphy's house. Harry ends up hanging out with the top kid, learning about his situation, and then working to change it by rustling up some caretakers and competent adult supervision. He achieves a better, more humane result than he would have found if he'd been able to jump in and fight, like he usually would.

In general, Harry is forced by his circumstances to do a lot of listening, waiting, and reflecting. Harry's always been a smart, thoughtful guy but not someone who dwells unduly on the past. I think that being forced to change his tune is good for him as a person and ultimately for the series - but, just like having Harry be so passive, it's not great for the reading experience. I think half of GHOST STORY might be flashbacks. Taking a stroll down memory lane with Harry is enjoyable...but it's still a STROLL, and Harry Dresden books are usually a lot more like, I don't know, a freight train crashing down Mount Everest. GHOST STORY simply does not have the momentum and muscle of the average Dresden book.

The overall feel is uneven. The action either occurs in the material world without Harry's participation, or else in the spiritual plane without any help from the cast of supporting characters. Harry finds ways to communicate with his friends, but he can't interact with them. The sense of disconnection and compartmentalization is pervasive. A book narrated by a ghost OUGHT to feel like that, so in a way this is a compliment, but it's not as much fun as a book with a live narrator, what can I say?

Then there's the last, final, biggest problem. Harry's told that he has to go back to Chicago and find out who killed him before he can move on to the next world. And while I was VERY interested to discover the answer, it was also, weirdly, a letdown. I felt a little bit like at the end of a TV episode where you find out everything that happened was a dream - that's not what happens here, the book is not just a big dream sequence, but I had that same feeling of having been cheated.

My final judgment is an odd one. I like GHOST STORY just the way it is - I think that cutting Thomas and Murphy out of the plot was cheating, but I wouldn't change the fundamentals. I think I'll like Harry more with these new lessons under his belt; I have no trouble seeing GHOST STORY as a springboard to better things, a necessary step in the series arc. But most Dresden Files books would clear five stars easy for me, and this one is four.

0 of 0 people found the following review helpful.
Even as a ghost, Harry still has a case to solve!
By DabOfDarkness
Note: I feel that Death Masks, Book 5, is where reading this series out of order starts to do you an injustice. This book does work as a stand alone to some extent, but you will get major spoilers for the previous books in the series and it also pulls in characters we have met before. So I recommend reading the previous books before you jump into this one.

In the previous book, Changes, Harry Dresden, Chicago’s finest (and only) wizard, lost everything in the gambit to save his daughter. He lost his office, his apartment, his car, and broke his back. So he had to make a deal with the lesser of three evils. His ability to walk restored, he soldiered on and while he saved his daughter from the Red Court vampires he also lost his life at the end of Changes. So this story opens with ghost Harry in a train station. There he meets a familiar face, Karrin Murphy’s old partner who died in one of the earliest books. He gives Harry some info but mostly evades questions as he ushers Harry over to Captain Murphy’s office – Karrin’s long deceased father. There Harry is given a choice – he can continue on his ghostly journey (and, no, they don’t know what waits outside of their ghostly city) or he can go back as a ghost to prevent harm from coming to three of his friends.

Of course, we all know what Harry decides. So he’s dropped off outside Mortimer’s because he’s the only guy Harry knows that has the ability to reliably communicate with ghosts. There we meet one of Mortimer’s protectors, Sir Steward. Sir Steward explains more about who the ghost world works and Harry has to be rather careful to not think too loudly less he attract ghosts who want to devour his essence. I really liked Sir Steward. He had a dry sense of humor and a strong sense of honor and a very solid idea of who and what he is, which has allowed his ghost to live on as long as it has.

Harry had an uphill battle the entire time in this book. It was crazy. He’s been dead for 6 months and while no one retrieved his body, there was far too much blood left at the scene. So lots of folks have trouble believing that either Harry is dead (Karrin) or that he is a ghost zipping around trying to rescue folks (nearly everyone). Even Mortimer, who accepts that Harry’s dead, doesn’t want anything to do with his ghost. But Harry saves his life and Mortimer gives him a small amount of his time, initially. Harry has to keep on hacking away (pleading, bargaining, threatening) at Mortimer to get more of his time.

Things have gone to rubble while Harry was away. Molly has become unpredictable and homeless. Karrin lost her job. The streets are dangerous now in nearly every neighborhood. Things that had stayed away from Chicago because Harry protected it have come creeping in. But not all is doom and gloom. Mister, Harry’s cat, made it out of the fire in the last book and found a decent home. Mouse, his dog, is happily guarding his daughter who also landed in a loving home. There’s plenty more along those lines, some of which jerked some emotions out of me. Harry, in classic ghost story form, gets a good look at what his presence meant to those that cared for him.

OK, so besides all the feels in this book, there’s plenty of action too. Harry has been tasked with finding his own killer, which is no easy feat. Then this bully and low-level magic user makes his presence known by ordering a drive-by shooting. Through him, Harry learns that one of his old enemies is in town, but this enemy has a new and powerful sidekick. So Harry is floating around (or sometimes zipping around) Chicago learning to use his ghostly skills and fighting crime. Yay! He’s also learned to make use of that grave that the Black Court vampire lady bought for him several books back. A ghost has to rest sometimes.

Since memories have power in ghostland, and can also be used to trade for favors, we get to learn more of Harry’s past. I was particularly intrigued by the memories of his time with Justin DuMorn. Harry keeps getting more and more complicated – and I like it!

The ending was fantastic! I loved the final fight scenes and how folks came together to do what they could. It was a lot of fun but also filled with tension and since Butcher killed off Harry I have this fear that he might start bumping off favorite characters. Lots of good stuff went down in that final fight scene.

Afterwards, we learn a few more tidbits. The mystery of Harry’s killer has been revealed. Harry has a chance to see his family members, such as Thomas. I have to say that I felt Butcher bent the rules just a little on the Thomas/Justine love but don’t touch thing. It was sweet but I also felt it was a cheat. Anyway, it’s such a minor thing. The ending did have one last surprise, so I hope you have the next book handy. This was another excellent addition to one of my favorite series.

Narration: This book was originally narrated by John Glover but fans had become accustomed to James Marsters’s performances and didn’t want a switch in narrators this late in the series. So Penguin Audio re-recorded it with James Marsters. Hooray! His performance was spot on, as always. Harry has some really complex emotions in this book, usually about his daughter, and Marsters did an excellent job of getting those across to the listener. I also loved his voices for Molly as she impersonates various characters from the original Star Trek crew.

0 of 0 people found the following review helpful.
HARRY'S DEAD!!!!
By Kg
He's dead! OMG is this the last book!?! (Of course not!) And poor Harry, his problems even when he's dead are just as complex and suspenseful as when he is alive, maybe more so! No spoilers from me. Read through it fast, couldn't put the book down for long. Thankful it's Kindle version and I have the App on my phone so when I don't have my kindle or the power dies I can sync right up and keep going.

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Rabu, 25 September 2013

[K100.Ebook] Ebook Download Only Time Will Tell (The Clifton Chronicles), by Jeffrey Archer

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Only Time Will Tell (The Clifton Chronicles), by Jeffrey Archer

Only Time Will Tell

Jeffrey Archer

The first novel in the Clifton Chronicles, an ambitious new series that tells the story of a family across generations and oceans, from heartbreak to triumph, from #1 New York Times bestselling author Jeffrey Archer

The epic tale of Harry Clifton's life begins in 1920, with the words "I was told that my father was killed in the war." A dock worker in Bristol, Harry never knew his father and expects to continue on at the shipyard, until a remarkable gift wins him a scholarship to an exclusive boys' school, and his life will never be the same again...

As Harry enters into adulthood, he finally learns how his father really died, but the awful truth only leads him to question: Was he even his father? Is he the son of Arthur Clifton, a stevedore, or the firstborn son of a scion of West Country society, whose family owns a shipping line? From the ravages of the Great War and the docks of working-class England to the streets of 1940 New York City and the outbreak of the Second World War, this is a powerful journey that will bring to life one hundred years of history to reveal a family story that neither the reader nor Harry Clifton himself could ever have imagined.

  • Sales Rank: #59215 in Books
  • Brand: St. Martin's Paperbacks
  • Published on: 2012-02-28
  • Released on: 2012-02-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.52" h x 1.07" w x 4.30" l, .64 pounds
  • Binding: Mass Market Paperback
  • 464 pages
Features
  • Great product!

Review

“Outrageous and top-notch terror.” ―Vogue on SHALL WE TELL THE PRESIDENT?

“The only difference between this book and The Day of the Jackal is that Archer is a better writer.” ―Chicago Tribune on SHALL WE TELL THE PRESIDENT?

“Authentic, literate, and scary.” ―Cosmopolitan on SHALL WE TELL THE PRESIDENT?

“The countdown is the thing; the pace, the pursuit, the what-next, the how-is-it-going-to-come-out…” ―Boston Globe on SHALL WE TELL THE PRESIDENT?

“Holds the reader in a vicelike grip.” ―Penthouse on SHALL WE TELL THE PRESIDENT?

“A compelling read.” ―Newsday on A PRISONER OF BIRTH

“Dynamite…plot twists and a slam-bang finale.” ―The Washington Post on A PRISONER OF BIRTH

“Archer plots with skill, and keeps you turning the pages.” ―The Boston Globe on A PRISONER OF BIRTH

“Thoroughly enjoyable.” ―Publishers Weekly on A PRISONER OF BIRTH

“Compulsively readable.” ―Library Journal on A PRISONER OF BIRTH

“Gripping.” ―The Vancouver Sun on A PRISONER OF BIRTH

“An exercise in wish fulfillment. The good may suffer, but the bad will get theirs in the end. The fun is watching it unfold.” ―St. Petersburg Times (Florida) on A PRISONER OF BIRTH

“Archer plots with skill, and keeps you turning the pages.” ―The Boston Globe on CAT O'NINE TALES

“The economy and precision of Archer's prose never fails to delight. The criminal doesn't always get away with his crime and justice doesn't always prevail, but the reader wins with each and every story.” ―Publishers Weekly (starred review) on CAT O'NINE TALES

“A worthy successor to The Da Vinci Code.” ―Liz Smith on FALSE IMPRESSION, New York Post

“Archer is back in top form with [this] latest thriller.” ―Library Journal (starred review) on FALSE IMPRESSION

“Thoroughly imagined...entertaining...thrilling.” ―Denver Post on FALSE IMPRESSION

“Murder and a high-stakes art-world theft are cleverly blended [in this] exciting...global thrill-ride.” ―Vancouver Sun on FALSE IMPRESSION

“Sail along from one high crime to the next....Archer is a great plotter....[and] in the middle of the action, [he] drops research gems.” ―Liz Smith on FALSE IMPRESSION, New York Post

From the Back Cover

The first novel in the Clifton Chronicles, an ambitious new series that tells the story of a family across generations and oceans, from heartbreak to triumph, from #1 New York Times bestselling author Jeffrey Archer

The epic tale of Harry Clifton's life begins in 1920, with the words "I was told that my father was killed in the war." A dock worker in Bristol, Harry never knew his father and expects to continue on at the shipyard, until a remarkable gift wins him a scholarship to an exclusive boys' school, and his life will never be the same again...

"If there were a nobel prize for storytelling, Archer would win."―Daily Telegraph (London)

As Harry enters into adulthood, he finally learns how his father really died, but the awful truth only leads him to question: Was he even his father? Is he the son of Arthur Clifton, a stevedore, or the firstborn son of a scion of West Country society, whose family owns a shipping line? From the ravages of the Great War and the docks of working-class England to the streets of 1940 New York City and the outbreak of the Second World War, this is a powerful journey that will bring to life one hundred years of history to reveal a family story that neither the reader nor Harry Clifton himself could ever have imagined.



"Archer is a master entertainer."―Time

About the Author
JEFFREY ARCHER was educated at Oxford University. He has served five years in Britain's House of Commons and fourteen years in the House of Lords. All of his novels and short story collections-including And Thereby Hangs a Tale, A Prisoner of Birth, and Kane & Abel-have been international bestsellers. Archer is married with two sons and lives in London and Cambridge.

Most helpful customer reviews

419 of 442 people found the following review helpful.
I love a good family saga
By Susan Johnson
I love to read a good family saga. I used to eagerly read Susan Howatch before moving on to Edward Rutherford and the "Forsyte Saga". I love watching a family evolve through the years. This book has the earmarks of a great series.
The story revolves around the Cliftons, a lower class family of dock workers who have a son of exceptional talents, and the Barringtons, a wealthy family whose children seem remarkably decent and grounded. Harry Clifton, the son, has an outstanding voice that offers him a way to better himself through a scholarship to a fine school. Even with his talent, it takes a village to give him the tools to win the scholarship. The book tells the story from various character viewpoints so you can see the help given to young Clifton.
I was so surprised to read the reviews talking about it being the first book in a series like it was a big deal. There are so many series out there that it shouldn't come as such a shock. Lee Child has his Reacher, Bernard Cornwell has his Uhtred and Diana Gabaldon has Jamie and Claire. If you don't like waiting for the next book then wait until the entire series is out. Otherwise just relax and enjoy yourself.
Jeffrey Archer is a skilled story teller. The story moves right along and it is hard to put down. He's like John Grisham- not the most skilled writer but a great story teller. I read this at a fast rate and enoyed every moment of it. I found it to be a fun read.

214 of 223 people found the following review helpful.
The title is apropos: this story is just getting started
By Billy Hollis
I picked this book up on a recent trip, during a connection through London, where it's already published. (I don't really have the Kindle edition, I have a softcover, but Amazon doesn't allow reviews for any edition except Kindle as I write this.)

I've read so much fiction in my life that only pretty good writing will hold my interest. This is high quality writing with quite good characterization.

The viewpoint of the story switches among the main characters. Each section for a character starts off with a first-person narrative, and then switches to a traditional third-person narrative for that character.

This results in overlap. It's common to see the same timeline covered from multiple viewpoints. That's tricky writing to pull off, but Archer is a pro, so he does it pretty well.

The era is early twentieth century, between the World Wars and leading up to World War II. It's clear that WWII will play a big part in the entire story, and in fact it begins just as this book ends.

The protagonist is from a lower class family, and the early part of the book covers his attempts to rise via his education.

The plot is fairly predictable. There are a few twists that I didn't see, but the broad outline became clear early on. I was still engaged enough with the characters to want to see the story through.

And that leads to the biggest criticism: as other reviewers have noted, this is just the beginning of a series. The end of the book leaves all of the major plot elements unresolved. So if you like your fiction to contain a story wrapped up neatly in a bow at the end, you probably ought to avoid this one until the story is all published. However, if you can let the unresolved elements sit for a while until the rest is published, then this would be a fine summer reading choice.

202 of 214 people found the following review helpful.
Only time will tell... how many years it will take to get the full story!
By Susan Tunis
Remember decades ago when Jeffrey Archer used to write those fantastic epics? Kane & Able, As the Crow Flies; that's what I'm talking about! Here's the good news: His latest novel, Only Time Will Tell harkens back to his glory days. It's the most entertaining thing he's written in years, in my humble opinion. Here's the bad news: What once would have been a juicy epic tale has fallen victim to the publishing industry's current trend of trilogizing. (New word. I coined it.)

Except, except, this is NOT a trilogy--this is, in fact, the first of the FIVE planned novels that will comprise The Clifton Chronicles. And as entertaining as the book is, and I'll get back to that in a moment, this is very annoying. Back in the day, you write an epic, it's 600 or 800 or even 1,000 pages. James Michener did it. James Clavell did it. And, yes, Jeffrey Archer did it. But in the very recent past, some marketing genius realized that you could get readers to pay a lot more for a long book by chopping it into pieces. Maybe pad the text a little, and leave some white space on the pages. What once might have been an 800-page novel is now three 300-page novels. It is the era of the trilogy. And writers don't even have to worry about writing in story arcs to end each segment. No, just end them wherever--or even better, end on cliff-hanger! And don't warn readers that they're only getting a very incomplete portion of the story they signed on to read! And make them wait years to get to the conclusion!

Sorry, was I ranting? It's true that Mr. Archer (Sir Jeffrey?) and his publishers are guilty of most of my complaints above. For instance, this novel ends very abruptly, with no sort of resolution at all, on a cliff-hanger. So, yes, this new trend is really bugging me. I'll move on now.

The series is named the Clifton Chronicles after the protagonist, Harry Clifton. This novel opens in 1919, when Harry is a mere gleam in his father's eye. What follows is roughly the first 20 years of that young man's life. Despite his very modest circumstances, Harry, it turns out, is a gifted fellow. In addition to being very bright, he's a truly exceptional singer. Harry's talents are recognized by several people in a position to nurture them, and so it comes to pass that this dock worker's son has an opportunity for an education and a future his family could not have imagined.

This first book covers Harry's school years--the friends and enemies he makes along the way, the triumphs and setbacks, the secrets and lies, and the many, many melodramas. Archer is at his soapy best, and Harry's story is engaging, eventful, and fast-paced. He's a likable protagonist, a veritable paragon of virtue, as are his mother, friends, educators, and so forth. You'll know the baddies when you see them. Archer's characters are not nuanced. What you see is what you get. But none of this takes away from the fun of the story being told. Only Time Will Tell is not challenging or literary; it's just good old-fashioned escapist fiction. I had a great time reading it. And as much as I grumble, I will be back for part two. Grrr.

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Sabtu, 21 September 2013

[D501.Ebook] Free Ebook Sexes and Geneologies: Sexes and Genealogies, by Luce Irigaray

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Sexes and Geneologies: Sexes and Genealogies, by Luce Irigaray

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Sexes and Geneologies: Sexes and Genealogies, by Luce Irigaray

Irigaray covers major issues in religion, the law, psychoanalysis, and literature, such as: the continued neglect by psychoanalysts of the sexual and gender dimensions of therapy, the urgency of female divinity for contemporary feminist movements, and a reconsideration of women's relation to the market economy. Sexes and Genealogies also includes Irigaray's dazzling reading of the Oresteia, "Body Against Body: In Relation to the Mother," now acknowledged as a feminist classic.

  • Sales Rank: #1439181 in Books
  • Published on: 1993-04-15
  • Released on: 1993-05-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.75" h x .49" w x 6.00" l, .65 pounds
  • Binding: Paperback
  • 192 pages

Review

The span of Irigaray's analysis of Western civilization is breathtaking; every cultural manifestation from language to marriage, from religion to science, from psychoanalysis to literature, takes on fresh meaning in the light of her powerful vision. Irigaray's analysis of patriarchy is both compelling and revealing but the question of "What is to be done?" retains all its potential for controversy. The direction of these essays will strike chords with some and provoke others to violent disagreement. Sexes and Genealogies will add considerably to our understanding of the complexity and implications of Irigaray's thought.

(Maragaret Whitford, University of London)

Language Notes
Text: English (translation)
Original Language: French

About the Author

Luce Irigaray is a director of research at the Centre National de la Recherche Scientifique. Her books in English include Speculum of the Other Woman, This Sex Which is Not One, and Marine Lover of Friedrich Nietzsche.

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Five Stars
By Wu Xiulian
good in book, price and delievery,thanks

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Minggu, 08 September 2013

[E188.Ebook] Download PDF Making the Fascist Self: The Political Culture of Interwar Italy (The Wilder House Series in Politics, History and Culture), by Mabel Bere

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Making the Fascist Self: The Political Culture of Interwar Italy (The Wilder House Series in Politics, History and Culture), by Mabel Bere

Making the Fascist Self: The Political Culture of Interwar Italy (The Wilder House Series in Politics, History and Culture), by Mabel Bere



Making the Fascist Self: The Political Culture of Interwar Italy (The Wilder House Series in Politics, History and Culture), by Mabel Bere

Download PDF Making the Fascist Self: The Political Culture of Interwar Italy (The Wilder House Series in Politics, History and Culture), by Mabel Bere

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Making the Fascist Self: The Political Culture of Interwar Italy (The Wilder House Series in Politics, History and Culture), by Mabel Bere

In her examination of the culture of Italian fascism, Mabel Berezin focuses on how Mussolini's regime consciously constructed a nonliberal public sphere to support its political aims. Fascism stresses form over content, she believes, and the regime tried to build its political support through the careful construction and manipulation of public spectacles or rituals such as parades, commemoration ceremonies, and holiday festivities.

The fascists believed they could rely on the motivating power of spectacle, and experiential symbols. In contrast with the liberal democratic notion of separable public and private selves, Italian fascism attempted to merge the public and private selves in political spectacles, creating communities of feeling in public piazzas. Such communities were only temporary, Berezin explains, and fascist identity was only formed to the extent that it could be articulated in a language of pre-existing cultural identities.

In the Italian case, those identities meant the popular culture of Roman Catholicism and the cult of motherhood. Berezin hypothesizes that at particular historical moments certain social groups which perceive the division of public and private self as untenable on cultural grounds will gain political ascendance. Her hypothesis opens a new perspective on how fascism works.

  • Sales Rank: #628241 in Books
  • Brand: Brand: Cornell University Press
  • Published on: 1997-06-27
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.93" h x .73" w x 5.99" l, .85 pounds
  • Binding: Paperback
  • 296 pages
Features
  • Used Book in Good Condition

Review
"An excellent interdisciplinary work. Progressing from a commemorative period that made the 1922 March on Rome the centerpiece of rituals to a mobilization phase after 1934, which emphasized athletic and military bodies, Berezin delineates the phases in which rituals of the piazza passed from emphasizing the myth of national revolution to that creating the myths of the new Roman empire. . . . Berezin's work is a splendid addition to literature on fascist politicization of culture and civic life."―Choice

"This excellent book explores how politics, culture, and identity intersected in interwar Italy so as to make the 'fascist project': a creation of the self and of new identities as citizens of fascist Italy. . . . This is a rich and rewarding book; the writing is engaging and the theory challenging. It is an important contribution to our understanding of fascism and of the making of modern identities."―Virginia Quarterly

"Instantly accessible. . . . An admirable monograph based on a wide range of readings intelligently deployed. Historians will appreciate the factual content and will find the sociological insights stimulating."―American Historical Review

"This is a deeply researched, elegantly argued book that makes an important contribution both to the study of fascism and to theories of political mobilization more generally. . . . It is the best study we have for making sense of how fascism worked as politics and as cultural politics in inter-war Italy."―Lynn Hunt, University of Pennsylvania

"Making the Fascist Self is an exciting contribution to historical sociology and the politics of culture. Mabel Berezin sheds new light on Italian fascism, on the relationship of personal identity to political commitment, and on the ideological mobilization of memory."―Craig Calhoun, New York University

"The focus on Fascist spectacle is intrinsically interesting, and Mabel Berezin's cultural analysis reflects cutting-edge developments in cultural sociology."―David Kertzer, Brown University

"Mabel Berezin draws on extensive historical knowledge and familiarity with social theory to claim the critical importance of fascist ritual. Ritual in the broadest sense, she argues, was constructed to serve as the core of the fascist experience―displacing the church, claiming the town center, fusing the private self with the public cause. Berezin explains to what degree the fascist project worked, and why contemporary xenophobic movements can still draw upon its mystique."―Charles S. Maier, Harvard University

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Good Read, if interested in 1922-1943 Italy
By Liz
Berezin is an engaging writer. This summer I did a directed reading which covered 12 books on Italy/ Italian topics 1919-1945. This was by far the best. It is highly engaging book on Fascist spectical which argues for a more complex look on how Italians responded to Fascism. It has good primary sources and is very professionally done, but it is also so smoothly written and engaging I think even non specialist would enjoy this book.

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Minggu, 01 September 2013

[I433.Ebook] Download PDF Conceptual Modeling: 34th International Conference, ER 2015, Stockholm, Sweden, October 19-22, 2015, Proceedings (Lecture Notes in Computer

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Conceptual Modeling: 34th International Conference, ER 2015, Stockholm, Sweden, October 19-22, 2015, Proceedings (Lecture Notes in Computer

Conceptual Modeling: 34th International Conference, ER 2015, Stockholm, Sweden, October 19-22, 2015, Proceedings (Lecture Notes in Computer



Conceptual Modeling: 34th International Conference, ER 2015, Stockholm, Sweden, October 19-22, 2015, Proceedings (Lecture Notes in Computer

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Conceptual Modeling: 34th International Conference, ER 2015, Stockholm, Sweden, October 19-22, 2015, Proceedings (Lecture Notes in Computer

This book constitutes the refereed proceedings of the 34th International Conference on Conceptual Modeling, ER 2015, held in Stockholm, Sweden, in October 2015. The 26 full and 19 short papers presented were carefully reviewed and selected from 131 submissions. The papers are organized in topical sections on business process and goal models, ontology-based models and ontology patterns, constraints, normalization, interoperability and integration, collaborative modeling, variability and uncertainty modeling, modeling and visualization of user generated content, schema discovery and evolution, process and text mining, domain-based modeling, data models and semantics, and applications of conceptual modeling.

  • Sales Rank: #8387113 in Books
  • Published on: 2016-01-02
  • Released on: 2016-01-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x 1.44" w x 6.10" l, .0 pounds
  • Binding: Paperback
  • 614 pages

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[I433.Ebook] Download PDF Conceptual Modeling: 34th International Conference, ER 2015, Stockholm, Sweden, October 19-22, 2015, Proceedings (Lecture Notes in Computer Doc
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