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Novelist, essayist, and public intellectual, James Baldwin was one of the most brilliant and provocative literary figures of the postwar era, and one of the greatest African-American writers of this century. A self-described "transatlantic commuter" who spent much of his life in France, Baldwin joined cosmopolitan sophistication with a fierce engagement in social issues. Edited by Nobel laureate Toni Morrison, the Library of America's Collected Essays—the most comprehensive gathering of Baldwin's nonfiction ever published—confirms him as a uniquely prophetic voice in American letters.
With burning passion and jabbing, epigrammatic wit, Baldwin fearlessly articulated issues of race and democracy and American identity in such famous essays as "The Harlem Ghetto," "Everybody's Protest Novel," "Many Thousands Gone," and "Stranger in the Village." Here are the complete texts of his early landmark collections, Notes of a Native Son (1955) and Nobody Knows My Name (1961), which established him as an essential intellectual voice of his time, fusing in unique fashion the personal, the literary, and the political. "One writes," he stated, "out of one thing only—one's own experience. Everything depends on how relentlessly one forces from this experience the last drop, sweet or bitter, it can possibly give." With singular eloquence and unblinking sharpness of observation he lived up to his credo: "I want to be an honest man and a good writer."
The classic The Fire Next Time (1963), perhaps the most influential of his writings, is his most penetrating analysis of America's racial divide and an impassioned call to "end the racial nightmare...and change the history of the world." The later volumes No Name in the Street (1972) and The Devil Finds Work (1976) chart his continuing response to the social and political turbulence of his era and include his remarkable works of film criticism. A further 36 essays—nine of them previously uncollected—include some of Baldwin's earliest published writings, as well as revealing later insights into the language of Shakespeare, the poetry of Langston Hughes, and the music of Earl Hines.
- Sales Rank: #10407 in Books
- Brand: Brand: Library of America
- Published on: 1998-02-01
- Released on: 1998-02-01
- Original language: English
- Number of items: 1
- Dimensions: 8.16" h x 1.09" w x 5.14" l, 1.29 pounds
- Binding: Hardcover
- 869 pages
- Used Book in Good Condition
Amazon.com Review
Writer James Baldwin earnestly championed the civil rights movement in both his fiction and nonfiction, a fact which, coupled with his extraordinary writing talent, assured not only his historical importance, but also his place as one of the finest African American writers of his generation. Collected Essays is a comprehensive collection of his most memorable prose, including "Stranger in the Village," "The Harlem Ghetto," and "Many Thousands Gone." Clear in voice and vision, the essays communicate the emotions of an entire historical movement. Combining politics, prophecy, and passion, Baldwin's essays are truly as thought-provoking today as they were some 30 years ago.
From Publishers Weekly
Baldwin's impassioned essays have been at least as influential as his novels in exposing the racial polarization of American society. This massive compilation reproduces in their entirety his early essay collections?Notes of a Native Son (1955), Nobody Knows My Name (1961), The Fire Next Time (1963)?as well as his later, less successful book-length essays?the pessimistic, doom-laden No Name in the Street (1972) and The Devil Finds Work (1976), a semi-autobiographical gloss on American movies. The book charts his trajectory from eloquent voice of the civil rights movement to disillusioned expatriate increasingly prone to grandiloquence and angry rhetoric. Also included is a miscellany of 36 articles, polemics and reviews, 26 of which were previously collected in The Price of the Ticket (1985), published just two years before Baldwin's death from cancer in France at age 63. Novelist Morrison's editing of this omnibus, which includes a chronology and notes, should help rekindle interest in Baldwin, whose recurrent themes?the African American search for identity, the hypocrisy of white America, the urgent necessity for love?make his work timely and challenging. BOMC and Reader's Subscription selections.
Copyright 1998 Reed Business Information, Inc.
From Library Journal
Early Novels and Stories features the complete text of Baldwin's novels Go Tell It On the Mountain, Giovanni's Room, Another Country, and his short story collection Going To Meet the Man. Most of Baldwin's writing is autobiographical and deals with his coming of age as a black man in America and later as an expatriate in France, as well as coming to terms with his homosexuality. Written between 1953 and 1965, these stories broke down walls. Collected Essays offers an impressive array of Baldwin's nonfiction and includes nine essays never before collected. Presented here are the complete texts of the collections Notes of a Native Son, Nobody Knows My Name, The Fire Next Time, No Name in the Street, and The Devil Finds Work. Topics range from racism to literature to social issues. Along with corrected texts, these feature scholarly notes, a chronicle of the author's life, and more. Both volumes are essential for all collections.
Copyright 1998 Reed Business Information, Inc.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Underappreciated Master
By Todd Womble
Baldwin isn't as widely read as he should be, and his views on race, sexuality, and American culture are perhaps even more important today than they were 30-40 years ago.
0 of 0 people found the following review helpful.
Five Stars
By Amazon Customer
this cat is straight yas
43 of 46 people found the following review helpful.
A great book -- A worthy part of a great series
By A Customer
I love James Baldwin--I think he's a tremendous writer, so Toni Morrison could hardly go wrong in selecting essays for this volume. All of the selections are excellent. Notes of a Native Son contains a touching eulogy for Richard Wright ("Alas, Poor Richard"), explaining the lonliness and problems Mr. Wright had at the end of his life. Baldwin displays his tremendous range as both a political commentator and a literary critic. The Devil Finds Work, in particular, is very insightful--and several parts humourous.
What I don't understand--and why I struck a star off this collection--is why Ms. Morrison did not include "Evidence of Things Unseen," Baldwin's analysis of the Atlanta child murders from the early eighties. Perhaps Library of America is planning later volumes of Baldwin's works--The companion volume to these essays is his "Early Novels," most notably "Go Tell It on the Mountain" and "Giovani's Room." I can't imagine that Library of America would not produce a volume including Mr. Baldwin's later works--especially "Just Above my Head."
This particular edition is well worth having--despite the price. First, this is a good collection of Baldwin's essays, many of which are difficult to find. Second, the Library of America really does a commendable job in paper quality and binding. This is not a leather bound edition on 50 pound paper, so stiff you can't open it and printed so the back binding looks impressive on your bookshelf--this is tightly bound, cardboard cover that lies flat, and is easy to read. The paper is not heavy--but acid free, and tear resistant. The Library of America series are good collections that are meant to be read many times, by many people--these books hold up very well.
I am afraid that Mr. Baldwin's works and opinions may fall by the wayside as time passes. The fact that Ms. Morrison--one of our best and most respected authors--put these collections together will certainly help keep Mr. Baldwin's works alive. But if you have any interest in what it means to be African American--in the twenties, to contemporary america--through even tomorrow--You need to read and appreciate Mr. Baldwin's insights. And you will also enjoy his clear, careful, and pointed writing.
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